Update: Porky study

Level1:Level1_check1:

-Muzzle is in a wrong angle and it should be more down, leaving more space for the eyes.
- Left ear is in a bad position. Adjust the right ear too.
- The knee on the left leg has to be more down.
- Right foot is shorter and thigh a bit longer.
- left forearm is less steep.
- Right arm less steep.

Level1_2:


Level1_check2:

- Adjust left ear.
- Right ear bigger.
- Muzzle a little bigger and solid.
- Bigger hands. Adjust position of right hand.

Level1_3:

Level1_check3:

- Conect better the right part of the cranium with the muzzle.
- ears a little bigger and solid.
- better position on the lip.
- bigger fingers on left hand.
- thicker right arm
- Shorter left thigh
- right foot a little bigger

Level2:

level2_check1:

- finger that sticks out on the left side is bigger.
- right arm sleeve is broader.
- left arm sleeve is broader too and ake the arm more solid and big.

final level:

final level_check1:

Basil Wolverton study

I've never did an study from this guy. It's pretty scary for the first time, it's so great.
First, the verbal analysis:
-BIG head
-BIG Teeth
-Little face
-Little body
-Long hair vertical, which breaks the monotony with the horizontal teeth.

Level1:Level1_check1:

this first step always came out pretty stiff. Im doing it with some fear.
-The head was too little, so the body.
- the upper part of the cranium, where the upper lip begins, it's smaller.

Level1_2:

Level1_check2:
-The back of the head it's more curvy in the neck. It forms an "S" that is attached to the neck.
- The upper lip goes up
- the neck has to be strongger
- the chest is bigger

Level2:

Level2_check2:

- The up hair is even more big. Im still a little timid with contrasts.
- more prominent teeth
- The chest is a little bigger. the right arm shows more.
- The inside hair form is bigger.

Level2_3:
Level2_check3:


- Upper teeth less prominent
- adjust the hair that falls and it's form.
- adjust the form of the cranium, more solid.

Level3:

Level3_check1:

- Nose is bigger and solid.
- Fix the eye line.
- more stronger smile, the whole expression fell because of this.
- Upper teeth bigger.

Level3_check2:


- Adjust hair that falls.

Final details:

Final check:

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Later I did this version by memory trying to apply the things that I noticed.

Tom chest pose

Observations:
- The left side of tom is less curved than the right side (see silhouette)
- The left arm (the arm more close to us) has a curve inside and the outside is made of two "straight".
- The hands are big, the exterior side it almost follows the line of the arm and in the inside the thumb sticks out. It also the index finger sticks out.


I feel something wrong in the face, maybe I put it in the wrong angle.

Eisenberg Tom & Jerry Study

Here's my verbal analysis for this study:

-Opposing lines of action on each character
-Tom has a backwards "s" curve line of action at almost a 45 degree angle
-Jerry has a backwards "c" curve for LOA
-Tuffy has a regular "c" curve for LOA
-Tom has a surprised look (not just in the face, but in his body as well, like raised shoulder's, big surprised eyes, raised eyebrows, raised knee, raised foot)
-Jerry has his eyes closed and Tuffy's are wide open looking directly at Tom
-Jerry is immensely happy to eat some fried chicken and Tuffy is happy with his cupcake
-Tuffy is raised higher than Jerry inside lunch pail
-Tuffy's on top a higher stack of sandwiches making him higher than Jerry
-Jerry is slightly bigger than Tuffy
-Jerry and Tuffy's torsos are each 1 and half heads long
-Tom's torso is 2 heads long
-Lots of space between ears and eyes in each character
-Lots of space inside each characters ears (very big ears)

I wrote down the analysis on my paper, but I thought it would be best to type it up here rather than for you to struggle through my handwriting.

So I first put in the lines of action of each character...


Then I put in the primary forms on top of their LOAs and checked my proportions...


Here I've put in the secondary forms and details on top...


And cleaned it up a bit, but not too much to loose all the underlying structure.

foghorn and dog

First I check the proportions, the Dog has almost five heads. I didn't know how to check the proportions on Foghorn in this pose.
Then I did the Line of Action.

Line of Action.

Line of Action Check:
Then I draw the first level of forms.

1st Level of Forms:

1st Level of Forms Check:
I did this with Foghorn to
I didn't save the 2nd level of forms so I only put the check.

2ns Level of Forms Check:

Final Details:

Final Details check:
This was really hard to draw! Now I think I could have built better the forms.

very difficult pose to do

This was my third attempt and is still BAD
This is a very hard pose to do, look at the head! is a very difficult angle, too many subtleties, the left foot has a rare knee, very difficult to interpret.
In this drawing every line is there for a reason, there is no line that exists by itself or random. I was impressed that even the tail is solid.
The cheek that is close to us was the hardest part I think.